A Tribute to Pradeep Sachdeva, by Anisha Shekhar Mukherji

Katakam and Sachdeva, which then became Pradeep Sachdeva Design Associates, in Khirkee Village Extension, was virtually my first office. And Pradeep Sachdeva the first person whom I looked up to as a boss. I worked there for about a year and a half, which was unusual since I went through offices at such a frenetic pace when I graduated, that the joke amongst my batch-mates was “which office is she in this week?”

But then Pradeep’s office was unusual.

It was a vibrant experimental space, interspersed with whimsical courtyards and peppered with bright colours and people—and Pradeep himself as whimsical, interesting and thought-provoking as the setting he had created. There was no stuffy hierarchy about him. Though a stickler for work, he always gave us a lot of space to figure out how we wanted to work. Ideas and opinions flowed as freely through the studio as did mosquitoes and butterflies wandering in through the open windows. He had strong opinions but that did not ever stop him from inviting suggestions from those around him—even if you were a trainee or newly minted architect.

I learnt many things from watching him work, and working with him. And it was all such fun that it did not seem like work most of the time. Pradeep did several things at the same time and with great elan and good humour. He invariably had a big smile to greet us with, despite managing so many things. His office also had a furniture showroom and a workshop down the village street. We were encouraged to go there, try out the anthropometrics of the furniture already made, get models made of building or furniture details we were working on, talk to the carpenters and learn from them. All this filled in the gaps in the largely theoretical architectural education I had received in college.

(Following images have been taken from Architect Pradeep Sachdeva’s website – psda.in.)

The need to actually experience every aspect of design rather than just make drawings, was the reason for my flitting in and out of offices before I arrived at Khirkee. And that is also perhaps the reason that even after I left Pradeep’s office, I still hold on to a wooden scale model of a column designed for one of the first buildings I worked on there. A reminder of how important it is to spend time on, and enjoy the design process.

Pradeep’s method of teaching you how to design in the real world was to throw you at the deep end, and let you swim. He would send us to meet consultants, clients and contractors. I remember being surprised when I was asked many years later to speak to a group of visiting European architects about my experience in working as a woman-architect in India. Perhaps because gender was so incidental in the working environment created in Pradeep’s office, I have thought of myself as an architect, never really as a woman architect. Pradeep was concerned and caring about all his staff, but he did not believe in any special concessions just because you were female, which is an intensely liberating attitude.

We learnt to take so many things in our stride because of this, whether it was negotiating our way back to office on deserted roads from site-visits to farmhouses on the fringe of the city, in a time when auto-rickshaws were only occasional. Or conferring and communicating with all sorts of clients. Or being made to hold our own in discussions with the sculptors, fashion-designers, craft-enthusiasts and myriad other professionals who were constantly in and out of the office. In the year and a half I was there, I was encouraged to develop, detail, and oversee the construction of three buildings from scratch to finish.

There is nothing as heady as participating in every aspect of the creation of a building from conception to construction, and being given the opportunity to visualise it in its parts and its entirety. I, and others before and after me, were fortunate to be able to do this at Pradeep’s office, because he was so generous in delegating responsibilities, and seeing the potential of everyone he interacted with. And because he himself spanned so many levels of design with ease.

His office was a great place to be in, and in a sense open house—as was his house. If we happened to be held up working late, he would insist that I come to his home and eat dinner with his family, rather than go back and cook in my PG room. And Sunita, his lovely wife, without batting an eyelid, would concoct the most delicious dishes while I played with their children. Curious and lively, Pradeep had the ability to invest even a little project with possibilities. And to take on even the largest projects with confidence.

He brimmed with energy and plans, as diverse as the many books that enlivened the office. In shifting out from Khirkee to Ayanagar, he took up an even bigger palate to paint his ideas on. When I last met him, by a fortunate chance at the India International Centre one sunny afternoon this January, his smile was as wide and welcoming as it always was. Pradeep has such a positive presence, that even though I have been told he is no more, I cannot think of him as not being there.

Original blog post can be accessed on THIS LINK.


Share your comments

This site uses Akismet to reduce spam. Learn how your comment data is processed.

More to Explore

Angelica Grace Home, at Tamil Nadu, by Shanmugam Associates

Senior living planned using low cost construction techniques – Angelica Grace Home, at Tamil Nadu, by Shanmugam Associates

With a pristine thought of serving the aged, Clarac Charity Trust approached the architects to develop a senior living. Trichy, a tier-2 city located in the central region of Tamil Nadu in India, is well connected, has affordable cost of living, offers good water yield and is a religious hub; therefore making the city ideal for senior living. Angelic Grace Home is a 30,000-sqft Ground +2 structure that was planned comprising 50 fully furnished rooms. Abundant natural lighting and ventilation, constraints on construction cost and community spaces for the elderly were factors that influenced the design approach. – Shanmugam Associates

Read More »
Central Vista Redevelopment

Central Vista Redevelopment: An Architectural Perspective, by Samvad Design Studio

In a nation regarded as a palimpsest, how does one build? This is the task ahead of architect Bimal Patel and it is against the backdrop of layered history, we analyse the proposal for the Central Vista. While, much of the opinions in public domain about the project revolve around its politics, this article attempts to analyse the proposal as a polemical as well as technical exercise in urban design and architecture – where the program, site, client, budget and time-lines prescribed are regarded as a given. The reading of the proposal reveals a conciliatory approach at the urban level, post-ideological position at the architectural level and literal treatment of the interiors. – Samvad Design Studio

Read More »
Professor Anand Swarup Arya, an Earthquake Engineer for the poor and the non-engineered

Professor Anand Swarup Arya, an Earthquake Engineer for the poor and the non-engineered

Professor Anand Swarup Arya, Padma Shri (2002), United Nations Sasakawa Disaster Prevention Award (1997) was a rare professor, academic administrator, scholar and mentor. His passing away after a singular life of service to the engineering and architecture community of India and the world perhaps did not get the attention it deserved. These two tributes by two of his students, both highly reputed Structural Engineers will hopefully help convey Professor Arya’s life and work to the larger architecture and construction community.

Read More »
Rajasthan State Archives Museum, Bikaner, by Dronah

Rajasthan State Archives Museum, Bikaner, by Dronah

The recently completed Rajasthan State Archives Museum at Bikaner, by Dronah, is an invaluable resource for the nation. It is one of the first archives’ museums in India that sets a benchmark for other State Archives Department in the country as to how invaluable historic documents and old land records can be transferred from dust-laden stores to be conserved and showcased in a publicly engaging and state of the art designed museum.

Read More »
Topsy Tury at Nagpur by Zeel Architects

Topsy-Turvy at Nagpur, by Zeel Architects

Situated on a small plot of 16.0 x 30.20 mts. And having an even smaller usable floor plate of about 13.20 x 21.60 Mts., the Topsy Turvy by Zeel Architects, building stands out from the neighbourhood, due to the geometric envelope holding jalis in it.

Read More »
Fish, Duck Eggs and Sticky Rice: The Lost Recipe of Ahom Architecture in Medieval India, by Shreyansh

Fish, Duck Eggs and Sticky Rice: The Lost Recipe of Ahom Architecture in Medieval India, by Shreyansh Barua,Yashovardhan Sharma, Nandini Biswas and Achirava Raha

Situated in the North-Eastern corner of India, lies the beautiful state of Assam. Other than being responsible for producing fifteen per cent of the global demand for tea, the state Assam has a long history, one that spans across battles, centuries, and dynasties. The North-Eastern corner of India was home to many small kingdoms, the largest of them is the kingdom of the Ahoms.

Read More »