mumbai

Airavat, Khopoli by reD Architects

The success of the architecture lies in the fact that every corner you turn, the drama of the house and the view that it captures changes and moves along with you. The structure is an ode to the beauty of the mountains that surround it.

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The Grey Matrix, at Mumbai, by Studio NACL

The Grey Matrix, at Mumbai, by Studio NACL

Located in the bustling area of Lower Parel, this 750 sq. ft. site with a 500 sq. ft. mezzanine, is situated in an industrial estate composed of narrow unkempt passages and minimal natural light penetration. Nestled amongst this raw development, the site was transformed into a vibrant office space for an event management company with an employee strength of 15, 2 director cabins, a conference room and a storage room. – Studio NACL

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School in Mumbai, JDAP | Jude D'Souza

School in Mumbai, JDAP | Jude D’Souza

A school for girls in suburban Mumbai needed an expanded space for the children in their kindergarten section. The administration owned a plot of land adjacent to the main school, however, this was taken up by a residential building that they occupied. When structural drawings of the building revealed that it could take on an additional floor, it was decided to extend the existing structure, rather than take down the entire building and construct anew. Regulation demanded that an additional staircase was necessary to accommodate this public function. – Jude D’Souza

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The Bombay House, at South Mumbai, by RC Architects

The Bombay house is a unique typology that has existed since the colonial times. The space is restored and redesigned to its true time but creating opportunities and interactions for today’s use. A unique blend of time and function. The sequence of spaces within the house forms a loop. One enters the house in a library and then moves through a verandah to reach the living spaces. A passage from the living room leads to the bedrooms and the kitchen. Through the bedroom one again reaches the verandah that completes the loop. The design interventions intersect within this sequence enhancing the experience and creating opportunities within the house. – RC Architects

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Conserving The Commissariat Bulding, DR DN Road, by Vikas Dilawari

Conserving The Commissariat Building, DR DN Road, by Vikas Dilawari

Mumbai was the first city in India to have heritage regulations to protect its living heritage. This listing and the corresponding regulations binding these precincts would also protect these old areas from burdening the fragile infrastructure with high-rise buildings. These precincts, more than individual structures, puts forward each city’s uniqueness. Heritage awareness is certainly increasing on paper with more nominations of World Heritage Site ensembles. But in reality, its protection on the ground is decreasing at an alarming rate.

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Mumbai Artist Retreat, at Alibag, by Architecture BRIO

DAK – The Other Side Studio – an artist retreat in Mumbai, by Architecture Brio

The site of the Mumbai Artist Retreat on the other side of the Mumbai Bay, designed by Architecture Brio, is typical in that respect. Since it is relatively difficult to get to, it still has a rural, agricultural character. More so in contrast to the rest of Mumbai it still has somewhat of a shoreline to speak of. Here, the Mumbai Artist Retreat intends to become a place where artists can work in a spacious, natural environment. A place that is away from the heavy physical and psychological demands of the global metropole. However, with the skyline of Mumbai across the bay, it still feels connected with the city.

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Suspended Office, at Mumbai, by DIG Architects

Suspended Office, at Mumbai, by DIG Architects

Mumbai and rains share a complicated love-hate relationship. On one hand, Mumbaites welcome the downpours as they bring respite from the searing summers that precede the monsoons. On the other, the rains also bring with them several woes — public transport gone awry, traffic snarls, flooded properties. The latter problem is especially ruinous, causing destruction of individual and collective resources — both tangible and intangible. – Dig Architects

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B.T Jewellers at Mumbai, by Zeel Architects

B.T Jewelers at Mumbai, by Zeel Architects

The brief of the client was to make it look different from all the surrounding showrooms (typical jewellery shops). He didn’t want much of display as he deals in the wholesale market, thus storage requirement was more than the display area.

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